Bojana Cvejić was a jury member for the Keir Choreographic Award in 2016 and a guest of the public program in 2018. Meg is here in conversation with Angela Conquet and Jana Percovic as part of a series of podcasts called Attunements. Produced by Bethany Atkinson-Quinton.

Bojana Cvejić's work spans philosophy, theater and performance education. She is author of several books in performance theory and philosophy (Choreographing Problems, Palgrave 2015, Public Sphere by Performance, with A. Vujanović, books 2012 etc. Drumming&Rain: A Choreographer's Score (co-authored with A. T. De Keersmaeker, Mercatorfonds 2013.). She has collaborated as a dramaturg in a number of choreographies by X. Le Roy, Eszter Salamon, Mette Ingvartsen, Anne Teresa De Keersmaeker, C. De Smedt). As a co-founding member of TkH/Walking Theory editorial collective and performing arts theory magazine (2000-2017), Cvejić has engaged in theoretical-artistic research projects, currently an investigation of performances of the self and transindividuality together with Ana Vujanović and Marta Popivoda. In 2013, Cvejić curated the exhibition Danse-Guerre at Musée de la danse, Rennes. In 2014, she devised a choreography and lecture program titled Spatial Confessions for Tate Modern's Turbine Hall. Cvejić is Associated Professor of Dance and Dance Theory in KHIO Oslo and Professor of Philosophy of Art at FMK, Singidunum University in Belgrade. 

Recorded in Melbourne 2018.

 

This podcast is part of the Dancehouse KCA REPLAY, RELOAD, RE-TUNE Public Program 2018.

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ATTUNEMENTS - WITH ESZTER SALAMON ep. 3